SELECTED BIBLIOGRAPHY:

Cristina Albu, Nene Humphrey's Multisensory Enactment of Empathetic Entanglement, Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 44, No. 6, 2017

Sarah Cascone, Editors’ Picks: 8 Art Events to See in New York This Week, Artnet NewsOctober 2016

Gabriella Angeleti, Art and emotion under the microscope, The Art Newspaper, October 21, 2016

Carrey Dune, A Performance Where Victorian Mourning Braiding Meets Neuroscience, Hyperallergic, October 13, 2016

Gary Pini, 9 Must-see Art Shows Opening This Week, PAPER, October 12, 2016

Kevin Umania, Editor’s Picks: 8 Events to See in New York This Week, ArtNet October 11, 2016

Joey Hill, Where The Soul Meets the Body, UMKC University News, Kansas City, MO, 2015

Ann Landi, Facing the Blank Canvas, ArtNews, June 2014

Julia Marshall, David M. Donahue; Art-Centered Learning Across the Curriculum (Teachers College Press), Columbia University, 2014, pp.54-58

John Haber, Full Fathom Five, Haberarts.com, July 9, 2014

Surrender to Something Dangerous: A conversation between artists Nancy Davidson and Nene Humphrey June 2013, artcore journal:vol 2,issue 1

Patricia Rossoff: Innocent Eye: A Passionate Look at Contemporary Art Tupelo Press North Adams, November 2013

Jonah Lehrer, Emergence and Structure, Lafayette College, Lafayette PA, 2012

Ann Landi, Brain Wave,  ArtNews, June 2009 p.88 Cover image: detail from The Plain Sense of Things

Holland Cotter, Weekend ReviewThe New York Times, March 2009

Derrick Cartwright, James Cuno, Elizabeth Finch, Glenn Lowry, Ann Philbin, Jock Reynolds, Townsend Wolfe, A New York Drawing Collection at Work 1991-2006 Wynn Kramarsky, Yale University Press, 2008

Clark Trinkett, Some Assembly Required-Cumulative Visions, Mead Art Museum, Amherst, MA 2006

Stanley Staniski, Nene Humphey: Artist, film produced by Staniski Productions in conjunction with the Ogden Museum, New Orleans, LA. 2005

Helen Harrison, Site Specifics,’05The New York Times, July 10, 2005

Nancy Princenthal, Paper Airplanes, Recent Artist books on Flight and Travel, Art on Paper, March 2005 p.41

Patricia Rosoff, Nene Humphrey: Carnal Knowledge, Sculpture Magazine, Dec. 2004

Allan Edmunds, Three Decades of American Printmaking - The Brandywine Workshop Collection, Hudson Hills Press,
Manchester VT 2004 

Ken Johnson, Gathering a Flock of Quirky GrownupsThe New York Times, June 18, 2003, p. E32

Rene Paul Barilleaux, Work in Progress Nene Humphrey, Mississippi Museum of Art, 2002

Ken Johnson, Domestic Traces, The New York Times, June 1, 2001, p. E4

Ariella Budick, Woman to Woman, Newsday, April 23, 2000

Susan H.Edwards, Common Touch/Nene Humphrey, Katonah Museum of Art, Katonah, NY July, 1999 

Common Touch, A Site Specific Installation by Nene Humphrey. Videotape directed by Dianna Smith

Scapes Productions, pub. By Katonah Museum of Art, 1999

Agnes Gund, The Passion of a Collector, Civilization, Library of Congress, Washington, DC Jan-Feb. 1999

Tom Patterson, Handy: Sculptor collaborates with Salem students, Winston-Salem Journal, Feb.7, 1999

Susan Krane, Nene Humphrey, A Wild Patience, University of Colorado, Boulder, Jan.1998

Dinah Zeiger, Urge to touch torments viewer at gallery showing, The Denver Post, Jan. 31,1998

Hand in Hand, Daily Times, Boulder, Colorado, Jan. 29, 1998

Jennifer Heath, Hands, Boulder Planet, Jan. 30, 1998

Joe, Miller, Asking Nene about art, Boulder Weekly, Jan. 1998

Michael Rush, Five Connecticut Artists Turn to Installation, Art New England, Feb./Mar. 1998

William Zimmer, Honoring Women as Keepers of the Home, The New York Times, Oct.20, 1996 p. 10. NJ Ed.

Jerry Cullum The two sides of domesticity, The Atlanta Constitution, Nov. 15, 1996                    

Nancy Princenthal, The Tree Beyond its Leaves, Creative Loafing, Atlanta, GA, Nov. 16, 1996

Suzanne Ramljak, Carnal Knowledge Object Lessons, Feminine dialogues with the surreal, Massachusetts College of Art, Boston, Jan. 1995, p.5  

Susan Hapgood, Feminine Strategies, Object Lessons, Feminine dialogues with the surreal, Massachusetts College of Art, Boston, Jan. 1995, p.9 

Nancy Stamen, Feminine Dialogues: a tempest from Oppenheim's teacupThe Boston Sunday Globe, Jan.29, 1995 p.42 

Mary Sherman, Female artists express their gender, The Boston Herald, Jan. 25,1995 p. 46

Cynthia Nadelman, Recent Drawings by Sculptors: A Common Language, Drawing, July/August 1994 p.25

Chris Schnoor, Sculptural Dualities, Reflex, Aug./Sept.p.13

William Zimmer, Sculpture at Two Displays at Wayne, New York Times, December 5, 1993, p. 16

Eileen Watkins, Art at WPC, Sunday Star-Ledger, NJ, December 5, 1993

Arlene Raven, Days Without ArtVillage Voice, October 5, 1993

Kristina Montvidas-Kutkus, Dimensions of Slavery Explored, Post and Courier, Charleston, SC, April 4, 1993

Janet Kolas, 55 Ferris II, Art in America, February 1993, p. 106

Amy Jinker Lloyd, Nene Humphrey, Sandler Hudson Gallery, Art in America, December, 1992, p. 122

Susan Krane, Matrix: Nene Humphrey, Winthrop Gallery, Winthrop University, Rockhill, SC, 1992

Jerry Cullum, Dream Objects Probe Landscape of the Emotions, The Atlanta Journal, March 6, 1992, p. F2

Tom Patterson, Two Exhibits: One Shouts, One Whispers, The Charlotte Observer, September 13, 1992

Judith Page, Embracing the Void, Valencia College, Orlando, Florida, 1992

William Zimmer, The Public and Private in Robust Dialogue, New York Times, October 28, 1990

Jennifer Cross, Sculptor's Drawings, EHCCA, Long Island, NY, 1990

Jane Farver, The Art of Drawing, Lehman College, Bronx, NY, 1990

Jerry Cullum, Artists' Styles Contrast Nicely in McIntosh Exhibit of Sculptures, Drawings, Paintings, The Atlanta Journal, April 5, 1990, P.C-6

Carrie Przybilla, Working on Paper, Contemporary American Drawing, (High Museum of Art, Atlanta, 1990)

Karen Lipson, Dip into these Drawings by Contemporary Women, Newsday, New York, June 9, 1990

Rose C.S. Slivka, From the Studio, East Hampton Star, September 11, 1990

Dr. Judy C. Van Wagner, Lines of Vision. Drawings by Contemporary Women, with essays by Thomas Leavitt and Judith Wilson, Hudson Hills Press, New York, 1989

Tom Patterson, Subtle Images Give Salisbury Show its Power,Winston-Salem Journal, September 11, 1988, p. 4

Chris Redd, Nene Humphrey's Modernist Metaphors, The Arts Journal, North Carolina, October 1988, Vol. 14, No. 1, p. 14

Thomasine Bradford, Small Scale Sculpture/Large Scale Sculpture, Art Papers, Atlanta, Georgia, January/February 1988, Vol. 12,
No. 1, p. 49

Juli Carson, Howard McCalebb, and Blue Angel: The Decline of Sexual Stereotypes in Post Feminist Sculpture, Longwood Art Center, NY, 1987

Lisa Tuttle, Small Scale Sculpture/Large Scale Sculpture, Atlanta College of Art, Atlanta, GA, 1987

B. McKenzi Road is Primary Motif in Nene Humphrey's ArtAtlanta Journal-Constitution, April 13, 1987       

Phil Williams, Nene Humphrey: Recent Drawings and SculptureArt Papers, Vol. 11, No. 4, July-August     

Eric Siegeltuch, Nene Humphrey: Situations, University of Wisconsin, Oshkosh, Wisconsin, 1985         

Pat Stenson, Wisconsin Upbringing Still Inspiring Modernist Artist, Post Crescent, Oshkosh, Wisconsin, March 31, 1985

Karen Heisler, Sculptor Nene Humphrey Creates PassagesCourier, South Bend, Indiana, summer 1984

Martin Ries, Ambiance/Stimuli, Re.Dact, An Anthology of Art Criticism, Peter Frank editor, Willis, Locker, Owens, NY, 1984 p. 141

Michael Perri, On-Site Sculpture, Art Papers, Vol. 8, No. 3, 1984

Appearances, (sculpture reproduction), Robert Witz editor, No. 10, spring 1984

Janet Heit, Sculpture at Greene Space, curated by Irving Sandler, Corrine Robins, Kathy Goncharov, (New York OIA, 1983)

Art and Artists, (sculpture reproduction), September 1983

Grace Glueck, Engaging Experiments Transform a Sandy Site, New York Times, July 31, 1983

Kay Larson, On the BeachNew York Magazine, September 5, 1983

Donald Kuspit, OIA at Greene SpaceArtforum, April 1983

Bruce Eder, Provocative Modern, Arts Weekly, New York, February 2, 1983

Benny Andrews, Ambiance/Stimuli, (Alternative Museum, New York, 1982)

Linda Shearer, Artists Space: Independent Exhibitions Program, (Artists Space, New York, 1982)

John Caldwell, Modernism in MorristownNew York Times (New Jersey edition), August 30, 1981

Judith Wilson, Small-Crafted WarningsVillage Voice, May 26, 1981

Gail Gelburd, Environmental Art Projects 1981, (Morris Museum, NJ, 1981)

Janet Heit, Nene Humphrey: Medieval LandscapeArts Magazine, June 1981

Richard Huntington, Artpark 1980, (Artpark, Lewiston, New York, 1980)

Vivienne Thaul Wechter, AREA Sculpture-Ward's Island, (AREA Inc, New York, 1980)

Grace Glueck, Outdoor SculptureNew York Times, September 11, 1980

Sarah McFadden, Going Places Part IIArt in America, summer 1980         

Carrie Rickey, Kay Larson, Stalking the Wild SculptureVillage Voice, June 25, 1980

John Perreault, Ward's IslandSoho News, June 25, 1980

Richard Huntington, ArtparkCourier Express, Buffalo, NY, July 13, 1980