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Articles and Reviews |
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Ann Landi, Brain Wave, and ArtNews, June 2009 p.88 Cover Image: detail from The Plain Sense of Things |
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Holland Cotter, Weekend Reviews, The New York Times, March 2009 |
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Stanley Staniski, Nene Humphey: Artist, film produced by Staniski Productions in conjunction with the Ogden Museum, New Orleans, LA. 2005 |
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Helen Harrison, “Site Specifics,’05,” The New York Times, July 10 2005 |
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Nancy Princenthal,”Paper Airplanes, Recent Artist books on Flight and Travel,”Art on Paper, March 2005 p.41 |
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Patricia Rosoff,”Nene Humphrey: Carnal Knowledge”, Sculpture Magazine, Dec. 2004 |
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Ken Johnson,” Gathering a Flock of Quirky Grownups”, The New York Times, June 18,2003,p. E32 |
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Ken Johnson,” Domestic Traces”, The New York Times, June 1,2001,p. E4 |
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Ariella Budick, "Woman to Woman", Newsday, April 23,2000 |
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Touch, A Site Specific Installation by Nene Humphrey. Videotape directed by Dianna Smith: Scapes Productions, pub. By Katonah Museum of Art, 1999
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William Zimmer, Nene Humphrey, Common Touch, Katonah Museum,New York Times, August 22,1999 |
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Agnes Gund,"The Passion of a Collector", Civilization, Library of Congress, Washington, D.C. Jan-Feb.1999 |
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Tom Patterson,"Handy: Sculptor collaborates with Salem students", Winston-Salem Journal, Feb.7, 1999 |
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Susan Krane,"Nene Humphrey, A Wild Patience", University of Colorado, Boulder, Jan.1998 |
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Dinah Zeiger,"Urge to touch torments viewer at gallery showing", The Denver Post, Jan. 31,1998 |
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"Hand in Hand", Daily Times, Boulder, Colorado, Jan.29, 1998 |
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Jennifer Heath,"Hands", Boulder Planet, Jan.30, 1998 |
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Joe, Miller,” Asking Nene about art", Boulder Weekly, Jan.1998 |
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Michael Rush," Five Connecticut Artists Turn to Installation", Art New England, Feb-Mar. 1998 |
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Judith Wilson, "Small-Crafted Warnings," Village Voice, May 26, 1981 |
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William Zimmer," Honoring Women as Keepers of the Home", The New York Times, Oct.20, 1996 p. 10. N.J.Ed. |
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Jerry Cullum,”The two sides of domesticity", The Atlanta Constitution, Nov. 15, 1996 |
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Suzanne Ramljak, "Carnal Knowledge' Object Lessons, Feminine dialogues with the surreal, Massachusetts College of Art, Boston, Jan. 1995, p.5. |
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Susan Hapgood, "Feminine Strategies", Object Lessons, Feminine dialogues with the surreal, Massachusetts College of Art, Boston, Jan. 1995,p.9. |
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Nancy Stamen, "Feminine Dialogues': a tempest from Oppenheim's teacup", The Boston Sunday Globe, Jan.29, 1995 p.42. |
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Mary Sherman," Female artists express their gender ", The Boston Herald, Jan. 25,1995 p. 46. |
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Cynthia Nadelman,"Recent Drawings by Sculptors: A Common Language", Drawing, July/August 1994 p.25 |
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Chris Schnoor,”Sculptural Dualities". Reflex, Aug./Sept.p.13 |
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William Zimmer, "Sculpture at Two Displays at Wayne," New York Times, December 5, 1993, p. 16 |
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Eileen Watkins, "Art at WPC," Sunday Star-Ledger, New Jersey, December 5, 1993 |
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Arlene Raven," Days Without Art", Village Voice, October 5, 1993. |
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Kristina Montvidas-Kutkus, "Dimensions of Slavery Explored", Post and Courier, Charleston, S.C., April 4, 1993. |
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Janet Kolas, "55 Ferris II," Art in America, February 1993, p. 106 |
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Amy Jinker Lloyd, "Nene Humphrey, Sandler Hudson Gallery," Art in America, December, 1992, p. 122 |
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Tom Patterson, "Two Exhibits: One Shouts, One Whispers," The Charlotte Observer, September 13, 1992 |
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Judith Page, "Embracing the Void," Valencia College, Orlando, Florida, 1992 |
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Jerry Cullum, "Artists' Styles Contrast Nicely in McIntosh Exhibit of Sculptures, Drawings, Paintings," The Atlanta Journal, April 5, 1990, P.C-6 |
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William Zimmer, "The Public and Private in Robust Dialogue," New York Times, October 28, 1990 |
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Jennifer Cross, "Sculptor's Drawings," EHCCA, Long Island, New York, 1990 |
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Jane Farver, "The Art of Drawing," Lehman College, Bronx, New York, 1990 |
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Jerry Cullum, "'Dream' Objects Probe Landscape of the Emotions," The Atlanta Journal, March 6, 1992, p. F2 |
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Carrie Przybilla, Working on Paper, Contemporary American Drawing, (High Museum of Art, Atlanta, 1990) |
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Karen Lipson, "Dip into these Drawings by Contemporary Women," Newsday, New York, June 9, 1990 |
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Rose C.S. Slivka, "From the Studio," East Hampton Star, September 11, 1990 |
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Dr. Judy C. Van Wagner, Lines of Vision. Drawings by Contemporary Women, with essays by Thomas Leavitt and Judith Wilson (Hudson Hills Press, New York, 1989) |
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Tom Patterson, "Subtle Images Give Salisbury Show its Power,"Winston-Salem Journal, September 11, 1988, p. 4 |
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Chris Redd, "Nene Humphrey's Modernist Metaphors," The Arts Journal, North Carolina, October 1988, Vol. 14, No. 1, p. 14 |
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Thomasine Bradford, "Small Scale Sculpture/Large Scale Sculpture," Art Papers, Atlanta, Georgia, January/February 1988, Vol. 12, No. 1, p. 49 |
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Juli Carson, Howard McCalebb, and Blue Angel: The Decline of Sexual Stereotypes in Post Feminist Sculpture, (Longwood Art Center, New York, 1987) |
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Lisa Tuttle, Small Scale Sculpture/Large Scale Sculpture, (Atlanta College of Art, Atlanta, Georgia, 1987) |
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B. McKenzi "Road is Primary Motif in Nene Humphrey's Art," Atlanta Journal-Constitution, April 13, 1987 |
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Phil Williams, "Nene Humphrey: Recent Drawings and Sculpture," Art Papers, Vol. 11, No. 4, July-August |
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Eric Siegeltuch, Nene Humphrey: Situations, (University of Wisconsin, Oshkosh, Wisconsin, 1985) |
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Pat Stenson, "Wisconsin Upbringing Still Inspiring Modernist Artist," Post Crescent, Oshkosh, Wisconsin, March 31, 1985 |
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Karen Heisler, "Sculptor Nene Humphrey Creates Passages," Courier, South Bend, Indiana, summer 1984 |
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Martin Ries, "Ambiance/Stimuli," Re.Dact, An Anthology of Art Criticism, Peter Frank editor, (Willis, Locker, Owens, New York, 1984) p. 141 |
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Michael Perri, "On-Site Sculpture," Art Papers, Vol. 8, No. 3, 1984 |
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Appearances, (sculpture reproduction), Robert Witz editor, No. 10, spring 1984 |
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Janet Heit, Sculpture at Greene Space, curated by Irving Sandler, Corrine Robins, Kathy Goncharov, (New York OIA, 1983) |
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Art and Artists, (sculpture reproduction), September 1983 |
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Grace Glueck, "Engaging Experiments Transform a Sandy Site," New York Times, July 31, 1983 |
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Kay Larson, "On the Beach," New York Magazine, September 5, 1983 |
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Donald Kuspit, "OIA at Greene Space," Artforum, April 1983 |
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Bruce Eder, "Provocative Modern," Arts Weekly, New York, February 2, 1983 |
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Benny Andrews, Ambiance/Stimuli, (Alternative Museum, New York, 1982) |
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Linda Shearer, Artists Space: Independent Exhibitions Program, (Artists Space, New York, 1982) |
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John Caldwell, "Modernism in Morristown," New York Times (New Jersey edition), August 30, 1981 |
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Gail Gelburd, Environmental Art Projects 1981, (Morris Museum, New Jersey, 1981) |
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Janet Heit, "Nene Humphrey: Medieval Landscape," Arts Magazine, June 1981 |
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Richard Huntington, Artpark 1980, (Artpark, Lewiston, New York, 1980) |
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Vivienne Thaul Wechter, AREA Sculpture-Ward's Island, (AREA Inc, New York, 1980) |
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Grace Glueck, "Outdoor Sculpture," New York Times, September 11, 1980 |
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Sarah McFadden, "Going Places Part II," Art in America, summer 1980 |
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Carrie Rickey, Kay Larson, "Stalking the Wild Sculpture," Village Voice, June 25, 1980 |
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John Perreault, "Ward's Island," Soho News, June 25, 1980 |
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Richard Huntington, "Artpark," Courier Express, Buffalo, New York, July 13, 1980 |
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Books and Catalogues |
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Margaret Matthews-Berenson, Threads of Memory, Catalog Essay, Dorsky Curatorial Projects, NY, 2006 |
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Amy; Eshoo ed, A New York Drawing Collection at Work 1991-2006. (Yale University Press 2008) with essays by Derrick Carttwright, James Cuno, Elizabeth Finch; Glenn Lowry, Ann Philin, Jock Renolds, Townsend Wolfe |
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Susan H.Edwards,"Common Touch/Nene Humphrey", Katonah Museum of Art, Katonah, N.Y.July, 1999 Common |
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Nancy Princenthal,” The Tree Beyond its Leaves", Catalog Essay,Sandler Hudson Gallery, Atlanta, Ga., Nov. 1996 |
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Susan Krane, "Matrix: Nene Humphrey," Winthrop Gallery, Winthrop University, Rockhill, South Carolina, 1992 |
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