Articles and Reviews

Bibliography Section Article
Artcorejournal Vol.2, Issue 1, Surrender to Something Dangerous: A Conversation between Artists Nancy Davidson and Nene Humphrey, 2013
Bibliography Section Article
Patricia Rossoff: Innocent Eye: A Passionate Look at Contemporary Art, pg 60, Tupelo Press November 2012
Ann Landi, Brain Wave, and ArtNews, June 2009 p.88 Cover Image: detail from The Plain Sense of Things
Holland Cotter, Weekend Reviews, The New York Times, March 2009
Stanley Staniski, Nene Humphey: Artist, film produced by Staniski Productions in conjunction with the Ogden Museum, New Orleans, LA. 2005
Helen Harrison, “Site Specifics,’05,” The New York Times, July 10 2005
Nancy Princenthal,”Paper Airplanes, Recent Artist books on Flight and Travel,”Art on Paper, March 2005 p.41
Patricia Rosoff,”Nene Humphrey: Carnal Knowledge”, Sculpture Magazine, Dec. 2004
Ken Johnson,” Gathering a Flock of Quirky Grownups”, The New York Times, June 18,2003,p. E32
Ken Johnson,” Domestic Traces”, The New York Times, June 1,2001,p. E4
Ariella Budick, "Woman to Woman", Newsday, April 23,2000
Touch, A Site Specific Installation by Nene Humphrey. Videotape directed by Dianna Smith: Scapes Productions, pub. By Katonah Museum of Art, 1999
William Zimmer, Nene Humphrey, Common Touch, Katonah Museum,New York Times, August 22,1999
Agnes Gund,"The Passion of a Collector", Civilization, Library of Congress, Washington, D.C. Jan-Feb.1999
Tom Patterson,"Handy: Sculptor collaborates with Salem students", Winston-Salem Journal, Feb.7, 1999
Susan Krane,"Nene Humphrey, A Wild Patience", University of Colorado, Boulder, Jan.1998
Dinah Zeiger,"Urge to touch torments viewer at gallery showing", The Denver Post, Jan. 31,1998
"Hand in Hand", Daily Times, Boulder, Colorado, Jan.29, 1998
Jennifer Heath,"Hands", Boulder Planet, Jan.30, 1998
Joe, Miller,” Asking Nene about art", Boulder Weekly, Jan.1998
Michael Rush," Five Connecticut Artists Turn to Installation", Art New England, Feb-Mar. 1998
Judith Wilson, "Small-Crafted Warnings," Village Voice, May 26, 1981
William Zimmer," Honoring Women as Keepers of the Home", The New York Times, Oct.20, 1996 p. 10. N.J.Ed.
Jerry Cullum,”The two sides of domesticity", The Atlanta Constitution, Nov. 15, 1996
Suzanne Ramljak, "Carnal Knowledge' Object Lessons, Feminine dialogues with the surreal, Massachusetts College of Art, Boston, Jan. 1995, p.5.
Susan Hapgood, "Feminine Strategies", Object Lessons, Feminine dialogues with the surreal, Massachusetts College of Art, Boston, Jan. 1995,p.9.
Nancy Stamen, "Feminine Dialogues': a tempest from Oppenheim's teacup", The Boston Sunday Globe, Jan.29, 1995 p.42.
Mary Sherman," Female artists express their gender ", The Boston Herald, Jan. 25,1995 p. 46.
Cynthia Nadelman,"Recent Drawings by Sculptors: A Common Language", Drawing, July/August 1994 p.25
Chris Schnoor,”Sculptural Dualities". Reflex, Aug./Sept.p.13
William Zimmer, "Sculpture at Two Displays at Wayne," New York Times, December 5, 1993, p. 16
Eileen Watkins, "Art at WPC," Sunday Star-Ledger, New Jersey, December 5, 1993
Arlene Raven," Days Without Art", Village Voice, October 5, 1993.
Kristina Montvidas-Kutkus, "Dimensions of Slavery Explored", Post and Courier, Charleston, S.C., April 4, 1993.
Janet Kolas, "55 Ferris II," Art in America, February 1993, p. 106
Amy Jinker Lloyd, "Nene Humphrey, Sandler Hudson Gallery," Art in America, December, 1992, p. 122
Tom Patterson, "Two Exhibits: One Shouts, One Whispers," The Charlotte Observer, September 13, 1992
Judith Page, "Embracing the Void," Valencia College, Orlando, Florida, 1992
Jerry Cullum, "Artists' Styles Contrast Nicely in McIntosh Exhibit of Sculptures, Drawings, Paintings," The Atlanta Journal, April 5, 1990, P.C-6
William Zimmer, "The Public and Private in Robust Dialogue," New York Times, October 28, 1990
Jennifer Cross, "Sculptor's Drawings," EHCCA, Long Island, New York, 1990
Jane Farver, "The Art of Drawing," Lehman College, Bronx, New York, 1990
Jerry Cullum, "'Dream' Objects Probe Landscape of the Emotions," The Atlanta Journal, March 6, 1992, p. F2
Carrie Przybilla, Working on Paper, Contemporary American Drawing, (High Museum of Art, Atlanta, 1990)
Karen Lipson, "Dip into these Drawings by Contemporary Women," Newsday, New York, June 9, 1990
Rose C.S. Slivka, "From the Studio," East Hampton Star, September 11, 1990
Dr. Judy C. Van Wagner, Lines of Vision. Drawings by Contemporary Women, with essays by Thomas Leavitt and Judith Wilson (Hudson Hills Press, New York, 1989)
Tom Patterson, "Subtle Images Give Salisbury Show its Power,"Winston-Salem Journal, September 11, 1988, p. 4
Chris Redd, "Nene Humphrey's Modernist Metaphors," The Arts Journal, North Carolina, October 1988, Vol. 14, No. 1, p. 14
Thomasine Bradford, "Small Scale Sculpture/Large Scale Sculpture," Art Papers, Atlanta, Georgia, January/February 1988, Vol. 12, No. 1, p. 49
Juli Carson, Howard McCalebb, and Blue Angel: The Decline of Sexual Stereotypes in Post Feminist Sculpture, (Longwood Art Center, New York, 1987)
Lisa Tuttle, Small Scale Sculpture/Large Scale Sculpture, (Atlanta College of Art, Atlanta, Georgia, 1987)
B. McKenzi "Road is Primary Motif in Nene Humphrey's Art," Atlanta Journal-Constitution, April 13, 1987
Phil Williams, "Nene Humphrey: Recent Drawings and Sculpture," Art Papers, Vol. 11, No. 4, July-August
Eric Siegeltuch, Nene Humphrey: Situations, (University of Wisconsin, Oshkosh, Wisconsin, 1985)
Pat Stenson, "Wisconsin Upbringing Still Inspiring Modernist Artist," Post Crescent, Oshkosh, Wisconsin, March 31, 1985
Karen Heisler, "Sculptor Nene Humphrey Creates Passages," Courier, South Bend, Indiana, summer 1984
Martin Ries, "Ambiance/Stimuli," Re.Dact, An Anthology of Art Criticism, Peter Frank editor, (Willis, Locker, Owens, New York, 1984) p. 141
Michael Perri, "On-Site Sculpture," Art Papers, Vol. 8, No. 3, 1984
Appearances, (sculpture reproduction), Robert Witz editor, No. 10, spring 1984
Janet Heit, Sculpture at Greene Space, curated by Irving Sandler, Corrine Robins, Kathy Goncharov, (New York OIA, 1983)
Art and Artists, (sculpture reproduction), September 1983
Grace Glueck, "Engaging Experiments Transform a Sandy Site," New York Times, July 31, 1983
Kay Larson, "On the Beach," New York Magazine, September 5, 1983
Donald Kuspit, "OIA at Greene Space," Artforum, April 1983
Bruce Eder, "Provocative Modern," Arts Weekly, New York, February 2, 1983
Benny Andrews, Ambiance/Stimuli, (Alternative Museum, New York, 1982)
Linda Shearer, Artists Space: Independent Exhibitions Program, (Artists Space, New York, 1982)
John Caldwell, "Modernism in Morristown," New York Times (New Jersey edition), August 30, 1981
Gail Gelburd, Environmental Art Projects 1981, (Morris Museum, New Jersey, 1981)
Janet Heit, "Nene Humphrey: Medieval Landscape," Arts Magazine, June 1981
Richard Huntington, Artpark 1980, (Artpark, Lewiston, New York, 1980)
Vivienne Thaul Wechter, AREA Sculpture-Ward's Island, (AREA Inc, New York, 1980)
Grace Glueck, "Outdoor Sculpture," New York Times, September 11, 1980
Sarah McFadden, "Going Places Part II," Art in America, summer 1980
Carrie Rickey, Kay Larson, "Stalking the Wild Sculpture," Village Voice, June 25, 1980
John Perreault, "Ward's Island," Soho News, June 25, 1980
Richard Huntington, "Artpark," Courier Express, Buffalo, New York, July 13, 1980
Books and Catalogues

Margaret Matthews-Berenson, Threads of Memory, Catalog Essay, Dorsky Curatorial Projects, NY, 2006
Amy; Eshoo ed, A New York Drawing Collection at Work 1991-2006. (Yale University Press 2008) with essays by Derrick Carttwright, James Cuno, Elizabeth Finch; Glenn Lowry, Ann Philin, Jock Renolds, Townsend Wolfe
Susan H.Edwards,"Common Touch/Nene Humphrey", Katonah Museum of Art, Katonah, N.Y.July, 1999 Common
Nancy Princenthal,” The Tree Beyond its Leaves", Catalog Essay,Sandler Hudson Gallery, Atlanta, Ga., Nov. 1996
Susan Krane, "Matrix: Nene Humphrey," Winthrop Gallery, Winthrop University, Rockhill, South Carolina, 1992
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